Steve Palopoli

Staff Writer

Tragedy and Triumph At Pacific Rim Film Festival

Santa Cruz native Sasha Friedlander directed 'Where Heaven Meets Hell.'

Only a handful of the selections in this year’s Pacific Rim Film Festival are by filmmakers with local roots, and perhaps it’s merely coincidence that they are among the best. But what’s uncanny is the synchronicity in play among three of them—Where Heaven Meets Hell, The Power of Two and Playing With Fire. In separate interviews, the people behind the films sometimes even echo each other when they speak about how they achieved these three very different and yet strangely connected, truly compelling portraits.

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Helium Shortage Puts a Pinch on Business

Nita Robertson has owned Santa Cruz Floral on Ocean Street with her husband Bruce for more than 10 years. But in May, she ran into something that had never come up before: when she called her local helium supplier to stock up for the graduation rush, she was told none was available. A few more calls made it clear how dire the situation actually was: none was available anywhere.

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Local aerialist Allie Cooper Takes TEDx Out of Its Comfort Zone

Allie Cooper and her musical collaborators will perform as part of the TEDx Santa Cruz conference Saturday, Sept. 15, at Cabrillo College's Crocker Theatre.

When the list of events for TEDx Santa Cruz’s second year came out, there was one that was completely unexpected. Sandwiched into the very TED-esque list of speakers was the collaboration between Santa Cruz aerialist Allie Cooper, local electronic artist and producer LoWGritt, and San Francisco MC Sight on the Mic. But everything that made it wrong for TEDx is what made it perfect for TEDx.

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The Making of A Blues Festival

Festival guest Joan Osbourne produced fellow guests the Holmes Brothers' latest release.

For the festival’s co-founder Bill Welch, putting together the line-up each year is part alchemy and part music science. He’s always loved booking acts at the festival who have some kind of history together, whether the audience is aware of it or not. “We try to book a headliner, and then complement it with some stuff that works well, and then some things that are going to make it really interesting. That’s kind of a wacky theme I’ve had over the years,” he says.

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