‘Henry’ Belongs to Hotspur and Falstaff

J. Todd Adams as Hotspur (center) shines in SSC's 'Henry IV, Part 1.'

Brilliant flashes of scarlet punctuated the misty redwood glen last Friday as the third drama in this season’s Shakespeare Santa Cruz opened to a rapt full house. The first of the three central histories tracing the rise of royal rogues, Henry IV, Part I reverberates with one part kingly remorse, another part power grab and a third part Sir John Falstaff. In this masterpiece of language and intrigue, Shakespeare interwove the imagined back story behind the takeover of the English throne by Henry Bolingbroke and the tale of ribald Falstaff, the carousing buddy of the king’s son, Prince Hal. One of the best-known and best-loved characters in the canon, Falstaff is a larger-than-life lout whose hard-drinking lifestyle has lowered the standing of the Prince of Wales in the eyes of his father.

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Man Arrested in Cold Case in Santa Cruz Jail

Back in April 1984, Tina Faelz, 14, of Pleasanton was walking home from school at about 2:30pm. She had been having problems with some of her classmates, and decided not to take the school bus that day. She never made it home. An hour later her body was found in a drainage ditch near Interstate 680. She had been stabbed multiple times and was covered in blood.

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Two Moons Better Than One

The side of the moon facing us is a low lava field; on the other side it's mountainous.

It’s only in the past 50 years that scientists have had a peek at the whole of the moon. Because the moon doesn’t spin on its axis,  the harvest moon that we saw and sang about (or barked about, in some cases), was the exact same moon, showing the exact same face and the exact same features. Then the space program began orbiting the moon, and researchers discovered that the terrain on dark side was very different from what human have seen for hundreds of thousands of years.

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Mighty Marin Alsop

Maestra Marin Alsop. Photograph by Grant Leighton.

In 1930, a pioneering American, Antonia Brico, conducted the Berlin Philharmonic, and to critical acclaim. It was a fluke. No woman musician played in that famous orchestra until 1982. Of virtually equal stature, the Vienna Philharmonic opened the door to a female musician, a harpist, only in 1997. This was the world Swiss-born orchestra conductor Gustav Meier grew up in.

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