The Box Sets of 2011

Elvis Costello is asking his fans not to buy his $262 box set, which he considers grossly overpriced.

Ah, Nevermind. Although the Pixies’ Trompe le Monde, the Red Hot Chili Peppers’ BloodSugarSexMagik and A Tribe Called Quest’s The Low End Theory were all released on the same day in 1991 as Nirvana’s breakthrough album, only Nevermind received the 20th-anniversary box-set treatment this year.

Continue Reading →

Klezmatics: They Did It Oy Vey

The Klezmatics aren’t your average Jewish music band. When the group plays Klezmer music, a vibrant Jewish style filled with lively violin, they bring in styles from everywhere—salsa, the blues, even Irish music. “It widens the colors and possibilities for arrangements,” says Lori Sklamberg, co-founder and vocalist for the Klezmatics. The beauty is in experimentation.

Continue Reading →

Celebrating Bill Monroe’s Bluegrass Roots

Peter Rowan plays the Digital Media Factory this Sunday for Bill Monroe Day. Photo by Ronald Reitman.

If bluegrass music were a family-run company, mandolin-picker Bill Monroe would be founding CEO. That’s why Ginny Mitchell of Santa Cruz Live TV is bringing guitar maven Peter Rowan, who played with Monroe as one of his “Bluegrass Boys,” to the Digital Media Factory. The honorary day is set for Sunday. Dec. 4 for Bill Monroe Day in Santa Cruz. Mayor Ryan Coonerty proclaimed it so.

Continue Reading →

The Heavy Metal Perfection of Mammatus

Mammatus plays 105 Pioneer Street on Saturday, Nov. 26.

The members of Santa Cruz experimental metal band Mammatus have a time-tested method to ensure that all their music reaches a high standard. They look for what they call the Yes Factor—that moment during practice when a song comes together and everyone knows it. “That’s what we’re always looking for, the part of the song that gives you goosebumps. It’s all about finding that magical moment,” says guitarist Nicky Emmert. He adds, “It takes us a really long time to write a song.”

Continue Reading →

The Pixies Mystique

Old frenemies unite, and fans rejoice.

Charles Michael Kittredge Thompson IV has been a solo artist for three times as long as he was originally with the Pixies. He’s released three times as many albums as he did with the band, under three different stage names—his original Pixies moniker Black Francis, the solo change-up Frank Black and even the combination Frank Black Francis.

Continue Reading →